Digital Grounds: Printing on Organza

Please enjoy a rerun of my experiments with digital grounds; this is where it all began.

Digital Grounds and Sheer FabricIn the last post I tested Digital Grounds and cotton fabric, and today I’m testing Digital Grounds on sheer organza fabric.

Printing on organza is always a little challenging because of the sheerness of the fabric, but working with sheers is such a delight and can produce such beeeeuuuutiful results.

I originally painted one half of a sample piece of organza with Digital Ground Clear Gloss (for porous surfaces) but the results were just awful – it looked like a piece of plastic and you can see the results below. This is the upper side; the under side was worse!

Digital Grounds and Sheer Fabric

So instead I painted one half of the organza with Digital Ground for non-porous surfaces and while the surface still looked a little plastic-like, it wasn’t totally too bad. Even though organza is a porous surface, using the ground for non-porous surfaces didn’t seem to have a negative effect and in fact the results are just gorgeous! The left side of the sample below is untreated; the right side is coated with the ground and you can clearly see the difference.

The colors on the untreated side (left) are a little washed out while the colors on the treated side (right) are rich and saturated. The surface treatment left a slight shine which is noticeable through the image on the upper side, and moreso on the under side, however rather than detracting from the appearance, it adds a luminous quality to the image – it’s quite nice.

Digital Grounds and Sheer Fabric

I ironed the organza to a sheet of freezer paper to send it through the printer and this is what the paper looked like after I removed the organza. You can see that on the coated side of the fabric (right side) that most of the ink was retained on the print as opposed to the untreated side of the fabric (left side) where most of the ink was transferred through the fabric and left on the paper carrier.

Digital Grounds and Sheer Fabric

This is what the print looks like when placed over the top of a patterned background. The image on the treated side is easily visible while still maintaining a good sheerness, while the image on the untreated side is less discernible and blends more into the background.

Digital Grounds and Sheer Fabric

Thumbs UpSo the results of Digital Grounds on sheer fabric using Digital Ground for non-porous surfaces … a big thumbs up!

This is a great product to use if you want to produce clear and colorful images on sheers.

Next I’ll be testing dryer sheets (simply because I can’t help myself).

(Thanks to Sukanto Debnath for the great photo that I used for my print.)

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Digital Grounds Hearts Organza

If you love printing on organza and thought that this was the best result you could get, then you are simply going to love this news … you can print even better images on organza, with 100% transparency, by using a clear tar gel acrylic skin as a backing.

I first heard about using clear tar gel as a skin for organza over on Marie Z. Johansen’s blog where’s she’s also doing some fun stuff with digital grounds, so I thought I’d give it a try as well.

Preparing an acrylic skin with clear tar gel can be a little challenging because of the thick and icky consistency of the gel, but being self-leveling, it isn’t so important to get an even coverage as with other gels or mediums because it levels itself and dries with an even and mark-free surface, and crystal clear transparency. The only thing I *really* didn’t like about this type of skin was the high gloss sheen it produced, however I found that you can tone down the gloss sheen by using a matte spray sealer.

On the upside, it does offer options for printing exceptionally vivid transparent images.

Using the same printer with the same photo settings, this is an image printed on untreated organza …

Printing on Organza

the same image printed on organza treated with digital grounds …

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The Perfect Embellishment

I posted the other day about this little art quilt and after living with it for only a day, I decided it needed some changes.

First of all I chopped off an inch on the bottom and rearranged things to give it a little better balance. Then I added a traditional binding rather than the wrap-around binding. And finally found the perfect embellishment. I’m liking it a lot better now.

Printing on Organza

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Printing on Organza

Yes, I’m still playing with Digital Grounds – it really is too much fun because the printing results are soooo good, particularly when printing on organza.

This is a little art quilt I just finished using some of Laura Murray’s beautiful overdyed kimono silks. I save every scrap and use them up one way or another; I simply can’t bear to throw even the smallest piece away. I like the simplicity of the quilt but I think I might add a little embellishment; maybe some beads.

Digital Grounds on Organza

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