The many layers of stitched texture

One of my very favorite things to work with is texture on fabric. I love exploring new and creative ways to make it and to use it.

And I particularly love to use stitch as a way to create raw texture on fabric or fabric paper which can then be used for painting or printing. Using hand stitching or machine stitching or a combination of both to prepare textured fabric for painting or printing is an exciting way to add interesting and unusual texture to fabric and you can find one of my favorite pieces of stitched and painted textured fabric paper here.

And of course creating stitched texture is a great way to use all those hundreds of decorative stitches on your sewing machine. I’m sure you’ve sometimes wondered what to do with all those stitches.

So for the last few days I’ve really enjoyed preparing and working with the samples for my new art bag project and I’ve finally progressed to a point where I’m really happy with the way the technique is working.

It starts with the raw stitched texture.

Painted Texture

Then some paint.

Painted Texture

And to really dress up the texture, some highlighting.

Painted Texture

I often get asked how I do this type of highlighting. Sometimes I use gold paint and dry brush it over the texture, but my favorite method is using a burnishing wax which you can pick up in your local craft store. Adding the highlight does take practice which is the reason I always prepare samples first.

Painted Texture: Rub'n'Buff

So now that I’m happy with the samples, I’m ready to move on to preparing the fabric for the art bag. I simply love working with a process; don’t you?

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Getting edgy

Have I ever mentioned that machine wrapped cording is my favorite embellishing technique? I’m sure I have once or twice. And because I love using wrapped cording so much I’m always experimenting with different ways to use it.

One of my favorite applications, which also tops the list for most asked about technique by you all, is to use wrapped cording to finish the edges on many of my three dimensional projects including my art bags …

Art Bag

… fabric postcards …

Fabric Postcard

… journal covers …

Fabric Journals

.. and an endless variety of other projects where I use Peltex stabilizer.

I’ve already written a short tutorial on how to use wrapped cording as edging and you can find it here, but I’ve also rewritten step-by-step instructions with photos and diagrams, and included it in my new book Machine Wrapped Cording along with a project for a fabric postcard.

Machine Wrapped Cording Technique

If you enjoy making things like fabric postcards and book or journal covers, I’m sure you’ll love this technique. It’s fun and easy to do and it will add a very professional finish to your projects.

You can find out more about the book here. And of course with every purchase of the book you also get an invitation to join my book club where you’ll find free downloads and additional resources.

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Timtex vs Peltex

art bagAs you know, I’m a big fan of Pellon Peltex and I use it a lot particularly for shaping my art bags. I used to use Timtex years ago, (which I loved) until they stopped manufacturing it, then I switched over to Peltex because this was the only equivalent on the market.

If you’re not familiar with Peltex or Timtex, they are both similar in type and are a very thick stabilizer that’s used to hold the shape of three dimensional objects, but you can sew through it very easily.

Peltex

Well Timtex is now being manufactured again by a different manufacturer so I recently bought a bolt (why can’t I just buy a yard) and I’ve used it on a couple of projects, but you know what? It isn’t quite the same as I remember; it just doesn’t seem to have the same stiffness or flexibility as Peltex which I prefer. Or maybe I’m just remembering differently.

Either way, here’s the bottom line because I’ve heard stories about Timtex being stiffer than Peltex. This is not entirely true.

Peltex has three different types – 70, 71 and 72. They are all similar in thickness BUT..

  • Peltex 70 is plain stabilizer and quite soft and flexible.
  • Peltex 71 is fused on one side so it’s a little stiffer, and this type is similar in stiffness to Timtex.
  • Peltex 72 is fused on both sides and it’s the stiffest of all; much stiffer than Timtex.

So ultimately Peltex 72 is my favorite of all the thick stabilizers. So now I just need to find a way to use up 10 yards of Timtex! (sigh) Any suggestions?

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Printing on Texture

Last week I finished designing a new clutch purse using fabric beads in unusual ways – for handgrips and purse feet. You can see the finished design it here.

Now the same clutch purse design takes on a whole new persona. Instead of using plain fabric, this one is being designed using using one of my digital art images printed onto textured fabric paper. Before printing, I prepared the fabric paper with digital grounds, and you can see more about my experiments using digital grounds here.

I used the lovely Last of the Summer Roses art design and it printed beautifully with lovely rich color…

Digital Grounds

and beautiful texture …

Digital Grounds

I’m finishing the edges with handmade cording and satin stitch, the same technique I use to finish my art bags. A touch of burgundy red to flush out the reddish undertones used in the image.

Digital Grounds

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Linda Hearts Poppy

I shared the other day about my new art bag “Poppy”. I *love* the design so much I just had to do another art bag, but this time I decided to do a different shape.

Art Bag

This one is a quite large, about 14″ wide x 10″ high and 3″ wide with an open top so this has now become my new shopping bag. And yes, I do get quite a few stares (I’m sure of envy) when I’m out shopping with it.

Art Bag

This time I edged the bag with a machine blanket stitch instead of a satin stitch, and of course some machine wrapped cording to finish it off. I *really* like the way it turned out.

Art Bag

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