Photoshop Elements 9: Layer Masks

Photoshop Elements: Layer MasksIf you’ve been following along, I’m currently doing a review of all the cool new stuff in the latest version 9 of Photoshop Elements. If you haven’t yet tried Photoshop Elements 9, Adobe offers a free 30 day trial. You can download it here.

In this tutorial I’m going to demonstrate the layer mask tool. In previous versions of Photoshop Elements, in order to use layer masks basically you had to add a new layer, change the settings, and group it with your main image, which was perfectly doable if not a little messy but required a lot more thought processing. But we don’t want to think that much – it hurts! So in the new Photoshop Elements Version 9, now with one click it’s done!

So let’s do a quick tutorial to show you how easy this works now.

Last week on my Facebook fan page I posted a photo called “Fairies in the Garden”. This photo is really cute and was assembled using layer masks so I’ll use this as an example for the tutorial.

If you want to follow along, download my toadstool image (right click and save).

Photoshop Elements: Layer Masks

And you’ll find the cheeky fairy here on Flickr.

This is a video tutorial, so click on the video below to get started …

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Photoshop Elements 9: Content Aware Fill

Photoshop Elements 9During the next few weeks I’ll be showing you some of the great new features that are available in the latest version of Photoshop Elements which is version 9. If you haven’t yet tried Photoshop Elements 9 and you want to follow along, Adobe offers a free 30 day trial. You can download it here.

Up till now I’ve been working with version 6, so there are lots of fun new features in the latest version and one of my favorites is the content-aware fill. This is one of the features that you’ll find in the full version of Photoshop, but which has now also been included in Photoshop Elements 9.

Enjoy the tutorial!


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Photoshop Elements Tutorial: Textured Edges for Photos

Photoshop Elements: Layer Masks TutorialTextured and decorative framed edges for your photos, can really set the mood and turn your photos and images into something memorable, don’t you think?

There are lots of different ways to texture your photo edges using photoshop elements, but the easiest way I’ve found is to make a separate image and use it as layer mask. Using this technique you can accumulate a very nice library of textured edges that you can use over and over on your other photos as well.

This tutorial demonstrates the basics of making this type of textured edge using the basic round brush that can be found in the brush library, and once you know how to do it you can go crazy using other types of brushes.

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Printing on Fabric 101: Fabric Options

Continuing the series Printing on Fabric 101. Last week we looked at printers and printer inks; today I’ll discuss a bit about fabrics.

You can print on just about any type or color of fabric so long as it’s properly prepared and backed with a paper carrier so it feeds through your printer easily and without jamming. For washable prints, you need to make sure you use specially treated fabric, and for water-resistant prints you can use special printer inks. However there are also a few other considerations to think about in relation to the type of fabric you choose …

Pre-washing Your Fabric
A good rule-of-thumb is, if you are using your printed images in an item that will be washed, it’s always a good idea to pre-wash your fabric in order to pre-shrink it before you print on it. If it’s something that will never be washed, then you have the choice of pre-washing or not. Pre-washing also helps to remove any surface treatment that might be applied to the fabric at the manufacturing stage, such as sizing, and this ensures that the ink has a very receptive surface.

Surface Texture
The surface texture of your fabric also will determine the results of your printed image. If you want fine detail to show up, choose a fabric that has a tight weave and a smooth surface. Prepared for dye (pfd) fabric is a good choice when printing fine detail, plus this type of fabric also has the advantage of being free of starches, sizing or other surface finishes so your print will have nice crisp detail and vivid color. Fabrics that have more open weaves such as muslin, are suitable for prints where fine detail is not required.

Fabric Color
Printing on fabric that is pure white will give you the most “true-to-life” color results, while printing on fabric that is off-white or natural in color can result in colors that are kind of muddy-looking. Similarly, printing on colored fabric will result in colors that are not “true-to-life”. This is because printer inks are transparent.

In these samples you can see that printing one color ink over the top of another color ink in fact changes the colors, similar to what happens when you mix paint colors.

Printing on FabricPrinting on Fabric

But colored fabric can also offer unexpected and often beautiful results depending on the type of image you’re printing, such as the image of this woman that was printed onto a pale orange hand-dyed fabric.

Printing on FabricPrinting on Fabric

Printing the Color White
Most printers will not print the color white. Generally what happens is, if there is a white section on your image the printer simply won’t print any color at all. This is ok if you’re printing on white, but if you’re printing on colored fabric the results can be a bit of a surprise.

The solution is to change the areas of white color on your image to a light gray or cream color. This can be done using photo editing software such as photoshop elements or similar programs. While your printer won’t print white, it will print every other color.

In the samples below you can see that on a cream colored muslin the tips of the petals appear to be quite white, and even on the colored fabric although not perfectly white, it gives the illusion of white which is better than printing no color at all which would result in petals the same color of the fabric.

Printing on FabricPrinting on Fabric

I hope you’ve enjoyed this series of articles. If you missed out on some of the articles, you can find them all listed here.

Resources

Kona Ready Dye White
Kona Ready Dye White

This 100% cotton fabric is PFD or Prepared For Dying.

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Another Use for Injured Prints

or How I Made a Mousepad in 5 Minutes

I’ve been threatening to make a new mouse pad for quite a while, but of course my “to do” list gets longer every day and it wasn’t a priority up until the other day when I finally couldn’t stand the sight of my old mouse pad which is all ratty on the ends, is covered in coffee and tea stains and probably breakfast stains as well, and is all together quite uninspirational and virtually unusable. I’ll do you a big favor and not show it to you.

So I finally decided that I could take 15 minutes out of my day to do this small project which also happens to be another perfect project for one of my injured prints. I’ve already shown you a couple of nice projects I’ve done using injured prints … a wallet I use every day and some lovely fabric postcards.

So I dug up another injured print and rather than the 15 minutes it thought it might take to finish the project, it in fact only took about 5 minutes and I have a fabulous new mousepad to show for it! Here’s how I did it …

The first thing you need is an injured print. This was a fairly large print that slipped at the end (of course) during printing and you can see that the colors went a little screwy on the right hand side. However the rest of the print was fine and almost just the right size for a mouse pad. I painted a sealer over the top of the print so it gave it a slightly rough surface and this will also protect from spills.

Inkjet Printing on Fabric

You also need some thick stabilizer like timtex or peltex, fusible on one side …

Inkjet Printing on Fabric

… and some grip matting …

Inkjet Printing on Fabric

I wanted a finished size of 8″ x 9″ so I cut each piece slightly oversize, then fused the print to the stabilizer, cut it to size, and zigzag stitched around the edges.

Inkjet Printing on Fabric

I was then going to fuse the grip matting to the back of the peltex however it didn’t fuse too well so I ended up gluing it on which worked perfectly. The grip mat is the perfect thing to hold the mousepad in place and stop it from slipping all over the place.

Inkjet Printing on Fabric

Then I carefully trimmed away the excess matting from around the edges being careful not to cut the stitching. And …. ta! da! one fabulous mouse pad whipped up in no time at all and much better looking than my old mouse pad!

Inkjet Printing on Fabric

And don’t forget .. my favorite method of making fabulous prints (injured or not) is using digital grounds – you’ll find LOTS of info here.

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