When Your Dirt Comes Up

DirtChristine Kane is my mentor and business coach this year. I love the way that she is so insightful and can get right to the problem using words and language that it easy to understand and easy apply to your own life.

Christine talks a lot about our “dirt” – the crappy stuff that comes to us sometimes out of no-where just when we think our life is right on track. But dealing with our “dirt” is a necessary step on our journey and can be our greatest teacher.

You can find out more about Christine and the programs she offers here on her website, but also please enjoy this article written by her

When Your Dirt Comes Up: 7 Ways to Break Through the Resistance and Break Out the Results
by Christine Kane

A mentor of mine used to say that when a seed is planted, the first thing that comes up is NOT a sprout. The first thing that comes up is a little dirt. That’s because when someone sets an intention for herself, the very first thing that happens is a “clearing out.”

Our spirits are literally moving into alignment with our new intention by clearing out anything unlike that intention.

Unfortunately, this is where most people get stuck and why nothing changes. They don’t know what to do when the dirt comes up.

Well, take heart! I’m the queen of setting new intentions – and yes, breaking through the dirt! And below is my list of 7 things to do to help you break through the resistance and break out the results!

1 – Call on Your Observer

The observer is the ever-present part of you that can objectively witness your reactions in any situation and recognize when you are lost in your “stuff.” The observer is never judgmental. It is peaceful. It is wise.

When you consistently call on your observer, you come to know your needs intimately. For instance, some “dirty” moments might require that you step away from your desk and take a walk in the woods and stop thinking or doing anything. Other moments might be best served by simply choosing a better thought.

Knowing the difference is about knowing the self. Not in a narcissistic way. In an honest clear way.

2 – Feel a little bit better

You don’t have to make yourself go from feeling awful to feeling “GRRREAT!” All you need to focus on is feeling a little bit better than you do. This releases a lot of pressure.

3 – Get Back to Basics

You may need to get back to basics with your intention. For instance, if too much dirt is coming up – you might need to shift your intention from being a gajillionaire to being worthy at all!

Sometimes people get totally excited by the notion of “Yes! Law of Attraction! I can do anything!” So they begin with the BIG affirmation. Then when the dirt comes up, there’s so very much of it that they don’t know where to begin.

Safety, worthiness, compassion, kindness, beauty, being loved and adored – these are beautiful concepts for beginners – AND for moments when the dirt arises.

4 – Try “Petri Dish Mindset”

Remind yourself that your whole life can be an experiment. When it comes to transformation and goals, put your life in a petri dish. Have a little fun with that idea. Say things like, “Hmmmm. I wonder what would happen if I really simply focused on _________.”

5 – Containerize

Containerizing is an Intention-Within-Intention process.

If you need to talk out your fears or your negativity, then create the intention to containerize for a while. This is an off-limits “no longer creating my reality” container.

Call a friend and explain that you need a listening ear. Explain that he is not allowed to feel sorry for you or give advice. He is not to give any “power” to your story. He is there to allow the container to happen. You just need to let it out. You can also do the same in your journal. Let it all out there. Then let it go.

6 – Lose the Story

If emotions are coming up, try this.

Sit still and let the emotions be there without the story that has attached itself to them. Feel sad and allow the sadness, but make sure that the story of “how awful my co-workers are because they never invite me to lunch!” isn’t part of the sadness. Most of the time, it will move through and out.

7 – Get help

Some people think I’m crazy to pay for a coach. Or to pay out-of-pocket for alternative healing modalities. I, however, know the truth. These healers are my guiding lights and objective observers – always seeing my radiance, always trusting my process. I do the same for my clients!

We have this messed-up belief in our world that we should be able to take a pill and move on with things. (Huh-uh!) Reach out and get some help. And remember that this work takes time. In fact, it will always be happening as long as you’re alive! (Isn’t that cool?)

Christine Kane is the Mentor to Women Who are Changing the World. She helps women uplevel their lives, their businesses and their success. Her weekly LiveCreative eZine goes out to over 20,000 subscribers. If you are ready to take your life and your world to the next level, you can sign up for a F.R.E.E. subscription at http://christinekane.com.

Photo courtesy Pink Sherbet Photography

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Dealing with the sting of rejection

Have you ever received one of those rejection letters? You know the one I mean. You submitted a piece of artwork to a show – your totally awesome quilt, the one you personally designed and hand-dyed and hand-stitched each piece of fabric. Or your incredibly detailed textile art piece that took you 200 hours to complete. Only to be told “Thanks but no thanks”. Ouch!

But I’m so Special
Being rejected is not an easy thing to accept, and for all of us temperamental artists who just feel everything so strongly and are connected to our work in such a strong and personal way, it often feels dismissive to be told that you shouldn’t take it personally.

It Takes Understanding
Understanding the reasons why you were rejected goes a long toward easing the pain and no-one knows better about rejection than Mary McBride, a well-known local textile artist here in Central Florida. Mary has in fact had her work rejected many times, and as a juror on many art shows is also responsible for selecting and rejecting the artwork that’s submitted.

It’s Not Always About You
Mary recently wrote an article for the SAQA Magazine titled “Taking the Sting out of Rejection” and in her article Mary explains the many reasons why artwork is rejected and very often it has little to do with the quality of the work submitted.

She points out that sometimes rejection occurs because the artwork does not enhance the overall cohesiveness of the show, and she also talks about the problems of submitting poor photographs of your work which is often a factor in having your work rejected.

Listen Up
As a result of that article Mary was asked to tape an interview with Mark Lipinski for his online radio show Creative Mojo which is awesome in so many ways.

If you don’t get the SAQA Magazine you can still get to benefit from the practical advice Mary has to offer by tuning in to her radio interview which you can find by visiting the Creative Mojo website, look to the right and select the audio dated 05/04/2011. And if you haven’t yet been introduced to the outrageous Mark Lipinski, you can tune in to his show from the beginning, otherwise you’ll find Mary’s interview about 22 minutes into the session.

Anyone up for a Retreat?
And for those of you who love to go to retreats or are maybe thinking of taking a retreat, Mary also hosts the fabulous annual Focus on Fiber Retreat held in the beautiful Atlantic Center for the Arts, New Smyrna Beach, Florida. (I actually hope to get there next year). You can find some details about the retreat here, and you can also visit Mary’s website here for a list of other projects and events going on in the local area.

Thanks Mary for sharing such great information and for being such a driving force and so supportive of the arts here in Central Florida!

Photo courtesy zenonline

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The reluctant visual journalist

The other day I mentioned that I was stepping outside my “zone of comfort” – I don’t like using the phrase “out of the box” and I’ll tell you why one day – by attempting some visual journaling. Using paper and paint instead of fabric and paint is quite a stretch for me; paper just does not hold the same attraction for me as fabric does.

On an energetic level when I work with fabric it takes on a life of it’s own and can be shaped and formed and ripped apart and reshaped. And somehow my brain instinctively knows this. For me, fabric is a living breathing entity.

But paper has a different energy; I always feel like it mocks me a little. I’ve never been drawn to paper except when using it to bond or blend into my fabrics when I make fabric paper so setting about with the intention of making something beautiful using paper was a real challenge. You can tell I try not to overthink these things, can’t you?

So here are my results from week one of the Roz Stendahl’s Visual Journaling Course. Did you know that there are currently three different types of visual journaling courses offered by Strathmore and you can jump in any time and take them? I’m not sure how long they’ll be available but you can find more details here.

I like this one best. I used a few stamps in one corner and a bit of a stencil in the other. I think this has possibilities.

Visual Journal Tools

This one turned out kind of moody although this particular color blue is brilliant. Once the blue dried, I dry brushed a little leftover red which was a huge mistake. I need to learn to leave well enough alone.

Visual Journal Tools

Red is one of my favorite colors so I didn’t mess with it too much. Once it had dried I added a little more dry brushed red and a bit of a stencil. I also tried using some salt to create a nice texture effect but it didn’t work. Stupid paper, cloth knows exactly what to do with salt.

Visual Journal Tools

This one turned out ok. I’m not excited about the color and one of the stencils went a bit splotchy, but it has possibilities.

Visual Journal Tools

I also noticed that the corners and edges of the paper curled up a lot so I probably used too much water. But after a press with the iron everything is quite flat. I’m kinda sorta looking forward to the next lesson. This “stretching” of oneself can be quite exhausting don’t you think?

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Armed and Dangerous: a visual journaling adventure

Today I’m beginning work on a new project – a visual journal – which is quite a stretch for me as I normally only ever work with fabric related projects. And if you’re wondering if I’m switching mediums, don’t despair just yet because with me all roads eventually lead to fabric and all will be revealed in time.

So what do I know about visual journaling? Precisely nothing which is why some time last year I signed up for the Strathmore Visual Journal Online Workshhop Series – you can find more details about it here – and already I’ve missed the first two workshops, but I’m determined making the effort to begin the third which is Roz Stendahl’s workshop Building Your Visual Journal from the Page Up and which began on the 1st May so I’m already a few days behind but today I am prepared to begin.

I only needed to purchase a few items – A good mixed media workbook; the pages are thick and support a variety of wet and dry media. And I also treated myself to some new Golden acrylic paints and some cute little stamp pads.

Visual Journal Tools

I already have a nice variety of paintbrushes …

Visual Journal Tools

Stencils and stamps and texture plates …

Visual Journal Tools

And things to create visual texture and design. I found some leftover bits of fabric paper shapes and textures that I thought might work as stamps or texture plates; we’ll see how that works out.

Visual Journal Tools

So now I’m armed and dangerous and I really don’t know how this will turn out because if you put anything in my hand other than a needle, thread and cloth, I’m usually quite hopeless. An interesting journey ahead.

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Transient Art – Here Today, Gone Tomorrow

Transient art such as that created by environmental artist Andy Goldsworthy, and even the beautiful and mysterious sand mandalas made by the Tibetan Lamas of Drepung Loseling Monastery is often quite controversial and certainly leave us feeling awed, mostly by the concept that art can be impermanent.

Recently I discovered another type of transient art, animated sand art.

This video is of Kseniya Simonova, a Ukrainian artist who recently won Ukraine’s version of “America’s Got Talent.” She uses a giant light box, dramatic music, imagination and “sand painting” skills to interpret Germany’s invasion and occupation of the Ukraine during WWII. Simply stunning.

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